This touching and funny collection of stories showcases Tharoor’s daunting literary acumen, as well as the keen sensitivity that informs his ability to write profoundly and entertainingly on themes ranging from family conflict to death.
In the title story — written in a lonely hotel room in Geneva soon after the author began his work with the United Nations — a young Indian orphan is on his way to visit America for the first time, and his anguish and longings in the airplane seem hardly different from those of any American child. Tharoor’s admiration for P.G. Wodehouse makes “How Bobby Chatterjee Turned to Drink” a delightful act of homage, while “The Temple Thief,” “The Simple Man,” and “The Political Murder” bring to mind O’Henry and Maupassant. His three college stories, “Friends,” “The Pyre,” and “The Professor’s Daughter,” are full of youthful high jinks, naïve infatuations, and ingenious word play, and “The Solitude of the Short-Story Writer” explores a writer’s conflicted relationship with his psychiatrist and his work in the manner of Woody Allen. In the duet “The Village Girl” and “City Girl” the author provides an experiment in perspective: the twin stories begin exactly the same except for the gender of the protagonist and then evolve in a radically different way. Together, the fifteen stories gathered here show a major writer in the making.
Although Tharoor wrote most of these 15 precocious tales in his teens and early 20s, they display the gift for sparkling social satire and sharp observation of life in India that he brought to The Great Indian Novel and Show Business.
A collection of early stories -- most written when the Indian-born Tharoor (Show Business, etc.) was in his late teens and early 20s -- that are more a foretaste of the good things to come than accomplishments in themselves.